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66-04 “Character First” Novel

Daniel David Wallace

The “Project”

How Do You Solve the Problem of Getting the Story Started before the Real Plot Begins: Give the Protagonist a “Project”

 

Start the First Few Chapters by Focusing on Things the Protagonist Does First

Begin with a Character on a Mission

         Their Story has Already Begun

         Their Mission should be Simple, Everyday, Practical

                 This is not the Story Goal, and perhaps be in Opposition to It

         Project and Story Plot may be Incompatible – You can Only have One of the Two

 

Aside:

Set the Project in the Sentence Hook for the Novel and It Should Make Sense

The Project and Story are Often the First Line of Your Query Letter

         The Protagonist xxx (the Project), but/until/only to discover xxx (The Real Story)

 

The Project is How the Reader Males First Contact with Your Story

It is Dominant at the Start - What the Reader Sees on Page One

         Magic is Not Enough

         The Project Needs to be Strong Enough the Even Other Events won’t Initially Distract

the Protagonist from Pursuing It

The Project should Require Minimal Exposition

 

The Project should have Real, Concrete Goal(s) that can either Be achieved – or Not

         Boolean

 

The Project should be Occurring At the Same Time as the Stories Larger Mysteries and Dangers

         And Ideally – In the Same Place

         This Needs Real Thinking on the Author’s Part

 

Allow the Protagonist to Discover

the Bigger Plot

the Thing the Novel is Actually About

As they Go in Pursuit of the Project

 

Ideally the Project should Already have Taken the Protagonist Out of Their Comfort Zone

 

This Approach Gives Us an Easy Method to Know How to Start the Novel

 

This is a “Character First” Approach because It Begins with a Character Struggling to Get

Something Relatable to the Reader

We Only Go On the “Real Story” Once the Character is Emotionally Ready for It

And We Only Transition to the “Real Story” when the Reader is Ready for It

 

Only Now is the Reader Ready to Find Out what “Really Going On”

         And Unable to Put the Book Down

 

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